Adam Aguidi

Ouarzazate · Casablanca · Tangier · Erfoud

Adam Aguidi | Film Art Director & Set Decorator in Morocco

Adam Aguidi is an international art director and set decorator based in Morocco, providing full-scale art department solutions, prop mastering, and local crew sourcing across major Moroccan filming hubs including Ouarzazate, Casablanca, Tangier, Erfoud, Marrakech, Fez, Essaouira, and Rabat. His credits include The Odyssey, Mercenary: An Extraction Series, Men in Black: International, Cherry, Constellation, and The Lazarus Project.

Recent Work

Featured Projects

Poster of The Odyssey (2026)

The OdysseyFeature Film · 2026

Set Decorator, Morocco Unit

Set decoration team on Christopher Nolan's screen adaptation of Homer's epic — large-scale period builds and dressing for one of the biggest productions to shoot in Morocco.

View on IMDb ↗
Poster of Mercenary: An Extraction Series (2026)

Mercenary: An Extraction SeriesTV Series · 2026

Art Director

Art director on Netflix's action thriller series — leading the art department's design and build across a fast-turnaround, multi-location Morocco shoot.

View on IMDb ↗
Poster of Constellation (2024)

ConstellationTV Series · 2024

Art Director

Art director on the Apple TV+ psychological thriller — precision contemporary interiors and location work.

View on IMDb ↗
Poster of The Lazarus Project (2023)

The Lazarus ProjectTV Series · 2023

Set Decorator, Morocco Unit

Five episodes of the Sky Max time-loop thriller — fast-turnaround set builds and dressing across Moroccan locations doubling for international settings.

View on IMDb ↗
Poster of Cherry (2021)

CherryFeature Film · 2021

On-Set Art Director

On-set art direction for Anthony and Joe Russo's feature — Moroccan locations doubling for Iraq, with continuity-critical military and desert dressing.

View on IMDb ↗
Poster of Men in Black: International (2019)

Men in Black: InternationalFeature Film · 2019

On-Set Art Director Assistant

On-set art department for the Sony franchise film's Morocco unit — Marrakech medina and Sahara desert sequences on a major studio pipeline.

View on IMDb ↗

Filmography

Selected Credits

YearProject TitleFormatRole
2026The OdysseyFeature FilmSet Decorator, Morocco Unit
2026Cold StorageFeature FilmSet Decorator, Morocco Unit
2026The Terminal ListTV Series — Prime VideoSet Decorator, Morocco Unit
2026Mercenary: An Extraction SeriesTV Series — NetflixArt Director
2025Mode AvionFeature FilmArt Director
202513 Days, 13 NightsFeature FilmProps Supervisor
Full filmography →

What I Do

Services & Expertise

Art Department Solutions

Complete art department leadership from concept to strike: set design, construction supervision, budgeting, and on-set art direction for features, series, and commercials shooting anywhere in Morocco.

Set Decoration & Prop Mastering

Period-accurate and contemporary set dressing backed by a personal sourcing network of souk dealers, antique houses, and artisan workshops in Marrakech, Casablanca, and Fez. Rapid prop fabrication when the piece doesn't exist.

Set decoration & props sourcing from warehouses all over Morocco.

Local Crew & Logistics Sourcing

Vetted bilingual art-department crews — carpenters, sculptors, painters, greensmen — assembled at short notice, with transport and permit logistics handled across all major Moroccan filming regions.

Profile

About Adam

Art department professional with more than nine years on international film productions. Experienced across set design, set dressing, and props, Adam is known for delivering practical, efficient solutions that translate creative direction into buildable, on-set results.

Portrait of Adam Aguidi, film art director and set decorator

Speaks Arabic, English, French, and Spanish

Capabilities

  • Set design & dressing
  • Budgeting & cost control
  • Crew & art department management
  • Creative problem-solving

Software

  • SketchUp & Layout
  • Rhinoceros 3D
  • Adobe Photoshop
  • Adobe Illustrator
  • Microsoft Office

Education

  • Bachelor's Interdisciplinary Degree in Media, Art & Architecture

    University Hassan II, Casablanca · 2021

  • Diploma in Decoration & Design

    ISMC — Institute of Movie Industry Specialization, Ouarzazate · 2015–2017

  • Diploma of General Studies, English Linguistics

    Abdelmalek Essaâdi University, Tetouan · 2011–2014

Where I Work

Filming Hubs Across Morocco

The kasbah of Aït Benhaddou near Ouarzazate, Morocco

Ouarzazate

The gateway to the Sahara and home of Morocco's largest studio complexes and desert backlots. Deep working relationships with studio facilities, backlot managers, and the local construction workforce.

The Hassan II Mosque and its esplanade in Casablanca, Morocco

Casablanca

Morocco's commercial capital for contemporary and urban shoots: modernist architecture, port infrastructure, and the country's densest supplier base for set dressing and rentals.

The Tangier medina and bay at dusk, Morocco

Tangier

Mediterranean light, medina labyrinths, and coastal locations doubling for the Levant and southern Europe — with established artisan contacts for period textiles and furniture.

Golden Sahara dunes of Erg Chebbi near Erfoud, Morocco

Erfoud

Dune fields, oases, and fossil-rich desert plateaus. Proven experience running self-sufficient art-department camps far from urban supply lines.

The Koutoubia Mosque minaret in Marrakech, Morocco

Marrakech

Morocco's artisan capital, with the country's deepest network of souks, antique dealers, and prop workshops — supporting art-department work on smaller productions filming in and around the medina.

The Al-Qarawiyyin mosque courtyard in the Fez medina, Morocco

Fez

The best-preserved medieval medina in the Arab world, rich in tanneries, tilework, and traditional craftsmanship — supporting select productions shooting in its historic quarters.

Blue fishing boats in the harbor of Essaouira, Morocco

Essaouira

A windswept Atlantic port town with a walled medina and working fishing harbor — supporting smaller coastal shoots and location scouting.

The Hassan Tower and its columns in Rabat, Morocco

Rabat

Morocco's capital, pairing modern government architecture with the historic Kasbah of the Udayas — supporting select productions filming in the city.

Common Questions

Production FAQ

What productions has Adam Aguidi worked on?
Adam's credits include Christopher Nolan's The Odyssey (set decorator, Morocco unit), Netflix's Mercenary: An Extraction Series (art director), Men in Black: International, the Russo brothers' Cherry, The Forgiven, Apple TV+'s Constellation (art director), Sky's The Lazarus Project, The Terminal List, 13 Days, 13 Nights (props supervisor), and Mosul. His full filmography is on the Credits page and on IMDb.
What does a film art director in Morocco do?
A film art director in Morocco leads the art department for productions shooting in the country: designing and building sets, supervising construction and painting, managing the art budget, and coordinating with local suppliers and crews so international productions can shoot at Moroccan locations and studios efficiently.
Which regions of Morocco does Adam Aguidi cover?
Adam works across all major Moroccan filming hubs, with deepest experience in Ouarzazate (studio complexes and desert backlots), Casablanca (urban and contemporary), Tangier (coastal and medina), and Erfoud (Sahara dunes and oases) — plus additional work on smaller productions in Marrakech, Fez, Essaouira, and Rabat.
Can Adam source local art-department crew for an international production?
Yes. Adam maintains a vetted network of bilingual Moroccan art-department professionals — carpenters, sculptors, scenic painters, prop makers, and greensmen — and can assemble a crew scaled to the production, typically within two to three weeks.
Does Adam handle prop sourcing and fabrication?
Yes. Set decoration and prop sourcing are core services — he was props supervisor on 13 Days, 13 Nights — drawing on souk dealers, antique houses, and artisan workshops in Marrakech, Casablanca, and Fez. Pieces that can't be sourced are fabricated by trusted local workshops.
What languages does Adam Aguidi work in?
Adam is a native Arabic speaker, fluent in English and French, with basic Spanish — which allows him to bridge international creative teams and local Moroccan crews and suppliers without translation overhead.
How do I hire Adam Aguidi for a production?
Email aguidiadam@gmail.com with your production dates, locations, and a short brief. You will receive a response within one business day, including availability and a preliminary approach to your art-department needs.

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Bring your production to Morocco with a local art department you can trust.

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